Pet Doorbell Sale Coupon Home of the Pet Doorbell Mat Login to your Account Pet Doorbell Pet Doorbell Mat System Great Artist Paintings Vermont covererd bridges About the Pet Doorbell Mat Bar Stools Netshops Vermont Photographs-Pet Doorbell Vermont Teddy Bear Computer Geeks Knives Smart Bargains-Bargins-Pet Doorbell World Trade Center 09/10/01 Lighthouse Photographs Chess Sets-Netshops Doghouse -Pet Doorbell Globes-Netshops Adirondack Chair Bakers Racks Benches Bocce Ball-Netshops Clocks FIREPIT SHOP Firepits-Netshops Fireplace-Netshops Armoire Gallery-Netshops Bird Bath and Feeders-Pet Doorbell Hickory Farms Photography Tips-Kaplan About PawBella Burlinton Vermont Chamber of Commerce PawBella-Pets Search Site Map Check Out Log Out View Cart Login to my account Claude Monet The Artist's Garden at Vetheuil $55.00 When Painted 1881 Medium/Technique Oil on Canvas Present Location Gallery of Art, Washington, DC Original size 151.4 x 121cm (59.5/8" x 47.5/8") Digital Photograph of original painting made with Holograph imagery. Claude Monet The Artist's Garden at Vetheuil Painting Details: Monet planted gardens wherever he lived. When he rented this house at Verheuil, he made arrangements with the owner to landscape the terraces, which lead down to the Seine. The boy with the wagon is Monet's young son, and on the steps behind him are other members of his extended household. On the part, the brilliant sunlight is dappled with shade that falls in blues, plums, and various greens. Figures and faces are defined briefly with color. The large flowerpots were Monet's and he took them with him each time he moved, using them in other gardens, They are "blue and white" only in our understanding examined up close they are blue and green where they reflect the grass behind them, elsewhere tinged with gold or pink By the early 1880s, when this work was painted, Monet had become increasingly interested in the painted surface itself and less concerned with capturing a spontaneous efliect of light and atmosphere. The very composition of this painting. With its high horizon, traps out eye in the canvas even the path is blocked in the distance by the rising steps. We are forced back to the surface where the paint is textured and heavily layered. At close range, these brushstrokes, though still derived from nature, seem less descriptive than decorative.

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